Detune music Pc#

In leaving these discrepancies unresolved, de Wardener and Downes have created an album of immediate impact and lasting emotional depth, a pleasing mess of contradictions that is as beautiful as it is misshapen. But the album partly draws its weight from these oppositions: Music for Detuned Pianos is classical but experimental relaxing but unnerving background music that demands your attention.

Detune music Pc#

“Bismuth Dream,” meanwhile, shares an air of unsettling melancholia with Aphex’s most straightforwardly beautiful piano piece, “Avril 14th.”Īt times-notably the slightly dull opening halves of “Spell” and “Star Song”- Music for Detuned Pianos sails too close to convention. Écoutez Tune of Yesterday de Caroline Simonsen maintenant - Plus de 90 millions de titres en illimité sur téléphone, tablette, PC & Mac sans publicités. Songs like “Foxtrot” and “Deranged Landscape” suggest the itchy horrors of Selected Ambient Works 2 rendered in echoing acoustics, the physical reality of the piano reinforcing the nature of the unease. “Blueshift,” for example, starts with a jaunty, nautical piano motif which slowly sags out of tune like vinyl left in the sun. By double the sample to have the detuned sound you will hear twice as many strings in chorus, even if you double the sample to get the dged sound (or use chorus) you will hear twice as many strings. There’s something enchantingly dreamlike about Music for Detuned Pianos, as if the music has been nudged from reality rather than torn from the here and now. Unlike a true symphony, a piano with only 1 or 2 strings out of tune is a detuned piano. He also keeps growing his list of filmscores and media projects. He is also signed to New York based music library CouldB Entertainment getting cues placed for Americas next Topmodel, Project Accessory / Project Runway, Brad Brad World etc. After laborious preparation, many of the pieces themselves were recorded in single solo takes, with de Wardener leaving the piano space to weave its unfussy melodies in a way that is reminiscent of Erik Satie’s deathless Gymnopédies. Today he writes trailer music for various trailerhouses in UK and LA. Perhaps the best compliment you can pay this hauntingly elegant record is that it never feels like the product of back-breaking toil. De Wardener later added a sprinkling of electronics-the synth washes on “Redshift,” the shade of distortion on “Color Cry”-to give body to the work without overwhelming the acoustic ambience.

On two album highlights-“Doppelgänger” and “Deranged Landscape”- de Wardener tuned the same piano twice, in slightly different ways, then overlaid the recordings, emphasizing the music’s otherworldly feel. De Wardener used four different types of detuned pianos, each detuning inspired by a different American composer, alongside those tuned to the conventional, equal-tempered scale.